It’s been a very busy fall and winter above and beyond my usual teaching load at Cal Poly Pomona. Just got back from presenting at #CELA2015 on DisplayScapes and organizing a panel on DIY sensing in Landscape Architecture design studios (with Lucia Phinney, Allison Lassiter, and Brad Cantrell) this past week, and creating a new 200 square feet sequence of Aqueduct Futures maps and drawings. These are on display at After the Aqueduct (curated by Kim Stringfellow) at Los Angeles Contemporary Exhibitions through April 12, 2015. Excited to share some of the press (LATimes, KCET, and LAM) coverage of the exhibit!
Christopher Knight reviews After the Aqueduct in the LA TImes:
A detail of Peter Bo Rappmund’s “Psychohydrography” video (2010). (Christopher Knight / Los Angeles Times)
California is not in danger of running out of water in the next year or two, but the climate-change situation is going from bad to worse as we enter the fourth year of drought. At Los Angeles Contemporary Exhibitions, “After the Aqueduct” looks at one big piece of the state’s water puzzle.
Organized by artist Kim Stringfellow, the show includes works by half a dozen artists and designers that focus on the century-old hydraulic water conveyance system meandering more than 200 miles from the Sierra Nevada to Southern California.
Much of the display is documentary, such as a series of charts produced by Barry Lehrman and Cal Poly Pomona students – to date, more than 120 of them – who are mapping complicated land-use issues for the school’s Aqueduct Futures program. I would describe the charts as visually dry, although the pun threatens to distract from the seriousness of the task. Continue reading